The
Northeast Regional rolled smoothly
along the historic Shore Line, the railroad that has connected Boston and New
York since the 1850s, in the late afternoon and early evening of Wednesday,
April 20, 2016. I had made this journey
many times over the years. Now I was
going once more to visit my aged and infirm parents on Long Island. I had not expected today’s transit of the
Shore Line to be much different from any other’s, but the time of day and the
workings of Nature played upon my mind and carried me far out to sea.
The
train left Boston in broad daylight at 5:35pm.
Just over an hour later, it came alongside the shore of Greenwich Bay in
Chepiwanoxet, Rhode Island. Turning
inland for a spell, it next came along the shore of Fishers Island Sound in
Mystic and Noank, Connecticut. After
crossing the Thames River, the train stopped adjacent to the commercial
shipping piers and the ferry docks in New London. Then, rolling westward through Connecticut,
the train hugged the shore of Long Island Sound at three of my favorite
locations: Niantic Beach, Rocky Neck, and the mouth of the Connecticut River
between Old Lyme and Old Saybrook. In
all these spots I gazed seaward, and out of a long standing shipboard habit, I
took note of the meteorological conditions.
The
elements of Nature did their work as the Northeast
Regional made its westward trek toward New York. A cloudless blue sky and a clear atmosphere
afforded excellent visibility. The North
Shore of Long Island lay clearly discernible across the Sound’s great expanse
of dark blue water. The bright daylight
gradually mellowed into a gentle twilight as the Sun moved ever farther to the
west. Finally, the moment of
metamorphosis arrived. The train sailed
alongside the sea as the Sun set among the hills of western Connecticut and the
full Moon rose from the hills of eastern Connecticut. Sunset on the port bow and moonrise on the
port quarter, I thought, as if I were at sea.
The
twilight gradually became night as the Sun dropped farther below the horizon,
but the darkness did not become complete.
The Moon in its fullness reflected the Sun’s light and cast it down to
the Earth. It was a supernal sight. Reacting once again as if I were at sea, I
thought of taking stars. There would of
course be the routine of star sights at evening, and later, morning twilight. But with these outstanding conditions—the cloudless
sky, the clear air, the unlimited visibility, and the full Moon to illuminate
the horizon—there would be a further opportunity for midnight stars as
well. The conditions were just
right. It would be, for navigational
purposes, a perfect night! The third
mate on the 12:00 to 4:00 watch could use this quiet time to practice his craft
and perfect his skill by taking sights of Rigel, Betelgeuse, Vega, Capella, Regulus,
and the ever stationary Polaris.
These
and other celestial luminaries were my best friends in the long hours of many
night watches. I thought back to one
transatlantic voyage in particular, aboard the Victoria in the summer of 1981, when the conditions were just
right, night after night, for midnight stars.
Dutifully taking up my sextant shortly after the change of the watch, I
made the rounds of the heavens and took sights of six or seven stars each
night. I always felt that I was working
in communion with Creation itself when I did this. Alone on the bridge wing of a cargo ship in
mid-Atlantic just after midnight, I was always aware of a spiritual persona that emanated from the primal
elements of the sea and sky that surrounded me.
In this other-worldly realm, I relied on the absolute infallibility of
Nature as I calculated the ship’s position on the trackless sea with
mathematical precision. Afterwards the
helmsman always asked me, “Well, mate, are the stars all in their right places
tonight?” I assured him that they were,
and that the Victoria was, too.
My
thoughts were suddenly brought back to the present when the Northeast Regional rumbled across the
long bridge over the Connecticut River.
The Saybrook Lighthouse at Lynde Point, at the mouth of the river, was
clearly visible, as were the distant shore lights on Long Island. The Moon had risen farther and now hung high
in the southeast and cast its reflected sunlight earthward. A beautiful evening on Long Island
Sound.
Across
the bridge and now leaving the waterfront behind, the Northeast Regional continued west to its stop in New Haven. Underway again, it glided through a brightly
lit suburban landscape. Then, unexpectedly
and between stations, it eased to a halt in a dark and somewhat wooded area. The conductor announced that due to track
repairs, the train would wait momentarily for the eastbound Acela Express to pass, and then it would
cross over to the adjacent track and continue westward.
During
this brief interlude the interior lights in the passenger cars shut off. This left only the dim glow of a few
emergency lights, and so it became easier to see outside into the
darkness. The Moon shone in its fullness;
otherwise, the sky was black. But then,
as my eyes adjusted to the changed conditions, a single star came into
view. It shone in the south, at perhaps
35 or 40 degrees of elevation. Once more,
I thought of taking midnight stars aboard the Victoria and other ships.
For the few minutes that my train waited in the darkness for the other
train to pass, I sat transfixed by the night sky and felt myself again transported
seaward under a canopy of celestial bodies.
And it was indeed a perfect night at sea.
All
too soon the Acela Express rushed
past in the opposite direction, and the Northeast
Regional resumed its journey, rolling through the switches and settling onto
the adjacent track. Two more glimpses of
salt water remained for me, first in Bridgeport, and finally while crossing the
East River between the Bronx and Queens.
Soon after that my voyage reached its conclusion, and I reluctantly
disembarked in Penn Station.
But
the thought of a perfect night at sea remained with me. I had passed many such nights aboard many
ships. All these years later, I still
think back on them. Nighttime at sea has
a unique beauty and a very different way of touching the human soul. The night speaks in a subtle manner but
asserts that the Master and Chief Engineer of the universe is fully in command
of everything. He is watching over the
world and watching over us. He invites
us to commune with him, and we can invite him to commune with us.
One
hymn, with two minor modifications, expresses this thought particularly well:
Abide with me; ’tis
eventide.
The day is past and
gone;
The shadows of the
evening fall;
The night is coming on.
Within my heart a
welcome guest,
[Aboard my ship] abide.
Abide with me; ’tis
eventide,
And lone will be the
night
If I cannot commune with
thee
Nor find in thee my
light.
The darkness of the
world, I fear,
Would [on my ship]
abide.
O Savior, stay this
night with me;
Behold, ’tis eventide.[1]
At
our invitation, “the true Light, which lighteth every man” (John 1:9) will
abide with us all night. The myriad
stars of the night sky symbolize this Light and thereby provide spiritual
solace as well as navigational accuracy.
They command the navigator’s respect when he takes his sightings and
calculates his ship’s location on the vast ocean. They command the world’s respect always as
they represent the ultimate Light. If we
welcome this Light that “shineth in darkness” (John 1:5) as a permanent guest
at every eventide, then every night will be a perfect night.
[1]
M. Lowrie Hofford, “Abide with Me; ’Tis Eventide,” in Hymns of The Church of Jesus Christ of Latter-day Saints, Salt Lake
City: The Church of Jesus Christ of Latter-day Saints, 1985, no. 165. The original lyrics replaced by the bracketed
ones are “Within my home” and “in my home.”
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